November 16th, 2007 by Tess

Angelina Jolie Splits Pants On Red Carpet

Brad Pitt came to his girlfriend Angelina Jolie’s rescue at the European premiere of her new film Beowulf on Sunday, by helping her cover-up when her leather pants split at the back. Pitt and Jolie were on the red carpet in London’s Leicester Square when the actress’ skin-tight black leather trousers started to unstitch around her bottom. I think that it was really an embarrassing thing for her. I can imagine how I would feel if I were d 1.but nice thinking brad. Way 2 go! I just can’t help with d thinking dat this whole thing was planned. Anyway what has happened has happened so I’ll advice Angelina 2 try and 4get it and face d future. At least she still has her whole life ahead of her. Sorry any way. Oh Yeah though I haven’t seen the pics of the pant split up till now, I am sure those pictures would be surfacing up soon very soon as the paparazzi would been on their toes for pics like these, she won’t be able to hide her butt like this, haha.

September 4th, 2007 by Tess

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Brad Pitt says fatherhood is lots of fun and not bad for his work either, although forget about sleeping. Pitt and his partner Angelina Jolie, with children in tow, came to Venice to promote his new film about Western outlaw Jesse James, which is competing for the top Golden Lion award at the city’s film festival. Ha Ha The Assassination of Jesse James must be a piece of crap he made it two years ago and its not out yet whats the rush? Okay I now understand when the poor chap has to take are of Angelina’s passion for kids how could he ever find time to complete the movie. At 2 in the morning Jolie would wake him up and tell him hey creep get out of the bed and take care of the boys I need to sleep well every night to maintain the good looks or else the dark circle will fare up and the press will say we had a fight last night. Most women think he is the hottest hunk in Hollywood but I think he’s a plain body with mind and soul.

September 1st, 2007 by Tess

British actress Keira Knightley has had enough of the media’s fixation with her looks, weight and figure, and urged people to focus on her films instead.

In Venice to promote her latest movie “Atonement,” the 22-year-old star of the hit “Pirates of the Caribbean” franchise had to field questions about her curves during a news conference this week.

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“It’s really frustrating, and particularly when you come to Venice film festival with a film that is an intelligent film,” she told Reuters in an interview. “It’s a thought-provoking film you can have a really good discussion about.

“I think it was just a shame that that had to be brought up then, and the fact that we all knew that it was going to be brought up,” she added, referring to the cast and crew of “Atonement” with her at the conference.

“We actually had a bet going. I was like ‘Come on, how many times either anorexia or something about my body, are going to come up.”‘

Knightley is the subject of constant tabloid press coverage of whether she is anorexic, what example she sets girls and young women and who she is linked with romantically.

“I think what I want to keep it about is the work, that’s all I’m interested in, and when you’ve got a project like this I think it’s a shame to take it away from that.”

The actress, nominated for an Oscar in the 2005 film “Pride and Prejudice,” has won early critical praise for her portrayal of Cecilia Tallis in “Atonement,” a film directed by Joe Wright and based on Ian McEwan’s acclaimed novel.

Knightley said she was “really proud” of “Atonement,” her second collaboration with Wright after “Pride and Prejudice.”

But she said she is highly critical of her own work and finds it difficult watching herself on the big screen.

“I’m my worst critic,” she said. “If you really want me to cut my part to pieces, I absolutely can and I don’t want to get to a day when I can’t.”

She said that one of the attractions of playing Cecilia was Wright’s decision to use speech patterns and acting styles similar to those in the 1930s and 1940s, the period in which most of the narrative is set.

“I think the 30s and 40s, (it is a) speech pattern that we’ve pretty much lost now.

“It sort of reached the pinnacle of ’stiff-upper-lip-ness’, and people very rarely do it in these films, people are very frightened of it.”